Qing Style Study Room

The 19th-century Renaissance harmonizes with the Qing court style, exuding a dignified and steady elegance.

The furniture chosen for the study is all dignified and calm, fostering focus and tranquility.

In the center is a high-waisted rosewood painting table with three curved legs, accompanied by a round-backed armchair in front. The main seat is a rosewood official hat chair with four protruding heads, and against the wall stands a pair of rosewood display cabinets. This arrangement reflects the Confucian ideals of self-cultivation, family harmony, and a broad-minded outlook.

In one corner of the study is a large corner cabinet in the 19th-century Renaissance style, made of walnut and decorated in the style of ancient Roman architecture, exuding solemnity and uprightness.

On one side of the rosewood painting table is a drawer cabinet for storing books and calligraphy, designed in a Western style but featuring traditional Chinese cluster patterns on the carvings of the drawers.

Beside it is a pair of glass-door display cabinets, meeting the owner's display needs, while on the other side of the painting table is an English-style double-door five-drawer bookcase.

In the study, there is also a copper-gilt glass-top coffee table designed in early 20th-century France. Its fine casting, along with the metal elements of the copper telescope, hourglass, and silver plate in the study, adds visual richness and resonates with the white copper ornaments on the Chinese furniture.